American Cinema’s Civil War: Martin Scorcese vs the MCU
Film & TV
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Looking at Cinema’s Treatment of Transgender People
OTwo Review: The Creator (2023)
OTwo Reviews : The Red Umbrella Film Festival
It-Girl Ayo Edebiri
David Forde spotlights the rise to fame of this year’s Hollywood It-Girl Ayo Edebiri, investigating the meaning of her success for young Black women in the wider creative industry.…
The Meaning of Mainstream: Mad Movies in the Coming Months
Following a frenzy of film festival circuits that have affirmed the favourites for the coming season, John O’Connor overviews the strange films that are generating the most excitement this autumn.…
OTwo Review: Passages (2023)
Katie Larkin describes her viewing experience of Passages at the Irish Film Institute to celebrate this year’s International Cinema Day.…
The Importance of a Black Irish Cinema
Mony Aramalla evaluates the increased need for a diverse indigenous cinema by critically analysing the recently released short film You’re Not Home (2023).…
The Genre of a Generation: The Age of the Black Horror Film
Sexy Irish Men are Selling: The Paul Mescalification of Hollywood
The Coming-of-Age LGBTQIA+ TV Shows of the Moment
Barbenheimer: Is the Summer Blockbuster Back with a Bang?
OTwo Review: They Cloned Tyrone (2023)
The WGA and SAG-AFTRA Strikes: Here’s What We Know
Ireland at the Academy Awards: The Glitz and Glamour of Anti-Irish Comedy
One Issue, One Trope: The Nice Guy
UCD Volunteers Overseas Film Series: Endangered
UCD Volunteers Overseas Film Series is running throughout the month of April to shed light on issues not spoken about enough. Tessa Ndjonkou addresses the need to highlight the role of critical journalism in upholding values.…
Crocodile Tears and Crocodile Bags: Why do we love sad rich people?
Amina Awartani unpacks the success and the wider significance of why we love watching sad rich people.…