OTwo Reviews: The Housemaid
Film & TV
OTwo Reviews: It: Welcome to Derry
OTwo Reviews: Marty Supreme
OTwo Reviews: Avatar Fire and Ash
An Unflinching and Unforgettable Reality: It Was Just an Accident review
In a bid to emphasize the film’s emotional and moral core, Richard Tobin explores the silence, suffering and strength in Jafar Panahi’s It Was Just an Accident.…
A Panopticon in Disguise: Surveillance and Social Control in The Running Man
In a review of The Running Man (2025), Artemis Douglas assesses the film’s commentary on the modern world in relation to capitalism and excessive surveillance.…
The Male Gaze, Film Critics and “Women’s Cinema”
Aoife Ashmore explores the pervasiveness of the “male gaze” in cinema and the importance of women’s stories being told by women.…
Broadway’s Final Act: Ethan Hawke is Lorenz Hartz
Cillian Howley reviews Blue Moon (2025), highlighting the portrayal and ‘incisive character study’ of American lyricist Lorenz Hartz.…
Zootopia 2: A Second Lap Around the City
An Exploration into ‘The Unrelenting Nature of the Human Psyche’ in Die My Love (2025)
Balancing Legacy and Life: A Review of Jay Kelly
From CEO to Alien Imposter: Bugonia – A Definitive Mark in Emma Stone's shift to ‘Arthouse’ Films and a Wild Cinematic Experience
Stranger Things 5: What Took So Long?
OTwo Reviews: After the Hunt
Fifty Years of Saturday Nights… LIVE!
Wicked: For Good - Toneless Technicolour
OTwo Reviews: The Long Walk
The Long Walk: Military Enlistment and a Resurgence of Death Game Movies…
Dwayne Johnson’s Next Role: Serious Actor
Film & TV Editor Cillian Howley dives into Dwayne Johnson's career.…