Film & TV

Is the “Enemies to Lovers” Trope embracing toxicity or redefining femininity?

That's enough biopics for now, thanks.

'You' Season 4 on Netflix: Where we left off and where we’re going

OTwo Reviews: Babylon

Three’s A Crowd: A history of on screen polyamory

Tessa Ndjonkou questions the lack of polyamory representation on-screen and how recent offerings miss the mark on what ‘free love’ might really look like.…

One issue, One trope: The White Savior

In this first feature of “One Issue, One Trope,” Aine Cunningham delves into the insidious nature of the White Saviour trope and challenges Hollywood’s use of it as a narrative device.…

2023 Is Going To Be The Year Of Weird

Holly Alder presents this year’s most talked about releases and reveals how they might just be exactly what Hollywood needs right now.…

The Power of Casual Queerness

Can visual media feature queer representation, even if it is not explicitly focused on LGBTQ+ issues? Ilaria Riccio discusses how casual queerness makes this possible.…

Small Country, Big Films: How Ireland excelled in 2022

OTwo Reviews: Avatar: The Way of Water

OTwo Reviews: Blackbird (2022)

What a road trip with Lewis Capaldi and Niall Horan can tell you about Ireland

OTwo Reviews: The Banshees of Inisherin

Black History Month: The Movies and shows that made us proud

5 years later: #MeToo in the Film Industry

How Don’t Hug Me I’m Scared Nailed its TV Debut

The Forgotten Rooney: Why aren’t we hearing about Conversations With Friends?

Amina Awartani investigates the ambivalent reaction to Sally Rooney and Lenny Abrahamson’s second collaboration: Conversations With Friends.…

Blonde, or, the Commodification of Marilyn Monroe

Blonde is a post-Roe nightmare and a cautionary tale of “artistic” liberties overtaking ethics, writes Ciarán Howley.…