In the buildup to awards season, Oisin Jackson considers whether Song Sung Blue lives up to its expectations as the “feel-good film of the year”.
In a world saturated with musical biopics, it is almost refreshing to see a film like Song Sung Blue (2025) hit our screens. You might already be aware of the film as a result of the constant radio and television adverts that have crowned this film “the feel good film of the year”. While there is definitely a lot of joy in the film, there is also an underlying sadness to it that might be jarring for audiences unfamiliar with the real life story behind it.
Craig Brewer’s adaptation of the documentary of the same name follows a couple known as “Lightning and Thunder” who combine their talents to form a Neil Diamond tribute act. The film explores the highs and lows of their budding relationship, as well as the music that would come to define their love. In saying this, there is a lot of fun to be had here. Mike (Hugh Jackman) is an eccentric, recovering alcoholic chasing a dream, with Claire (Kate Hudson) helping him bring it to life.
Although unfamiliar with the real-life couple, I found both actors very convincing and charming in their roles. Jackman and Hudson clearly have fun, with their enthusiasm shining through in their performances. Mike’s obsession with thunder bolts is hilarious and Claire’s passion to play music is nothing short of endearing. Both actors carry significant emotional weight within this film, exploring themes of depression, anxiety and addiction. While Hudson faces strong competition at the Academy Awards for Best Actress, she still delivers a powerful performance that pulls at the audience's heartstrings.
If you’re a fan of Neil Diamond’s music, you’ll be treated to the classics such as ‘Sweet Caroline’ and ‘I’m a believer’, as well as a wider selection from his discography. In comparison to musical biopics like Bryan Singer’s Bohemian Rhapsody (2018) or Baz Luhrmann's Elvis (2022), which often give the impression of handpicking their artist’s songs with little nuance, Brewer allows Diamond’s music to emerge naturally within the narrative. This approach deepens the songs’ emotional impact and strengthens their connection to the audience.
In comparison to musical biopics like Bryan Singer’s Bohemian Rhapsody (2018) or Baz Luhrmann Elvis (2022), which often give the impression of handpicking their artist’s songs with little nuance, Brewer allows Diamond’s music to emerge naturally within the narrative.
The varied emotion in this film was very surprising. With the timeline spanning a few years in the tribute band’s life, it is difficult to avoid getting caught up in the more emotional scenes, especially when they begin to gain a dedicated following. Particularly sweet moments include Mike answering a call from Pearl Jam’s management team, only to be confused about who they are, while his children burst with excitement.
However, there are times where the film feels rushed and does not flow as naturally as perhaps intended. Since the film follows the struggles of both Lightning and Thunder, emotional moments for one character are occasionally undercut by a sudden shift to the other. This occurs several times throughout the film and can feel very overwhelming. As a result, it leaves little room for the audience to catch its breath, a particularly challenging aspect given the film’s feel-good marketing. There are certain narrative expectations which the film does not always meet.
In conclusion, Craig Brewer’s latest cinematic adventure is definitely worth the watch. Awards season has generated a big buzz for this film, so if you want a decently balanced, emotional piece soundtracked by some brilliant Neil Diamond songs, you simply have no choice but to experience Song Sung Blue.